Library — Guitar

John McLaughlin

4 albums as leader and 8 as sideman (1969–1995), each listed chronologically.

As Leader · 4

As Sideman · 8

Notes on these albums · 6

1969 · In a Silent Way

Bitches Brew
Bitches Brew
Miles Davis · 1970
In a Silent Way
In a Silent Way
Miles Davis · 1969

Miles's 1969–70 studio experiments fused rock's rhythmic sensibility with jazz improvisation. Bitches BrewBitches BrewBitches BrewMiles Davis · 1970 layered McLaughlinJohn McLaughlinJohn McLaughlinジョン・マクラフリン, CoreaChick CoreaChick Coreaチック・コリア, HancockHerbie HancockHerbie Hancockハービー・ハンコック, and others in simultaneous collective improvisation.

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1973 · Birds of Fire

Bitches Brew
Bitches Brew
Miles Davis · 1970
In a Silent Way
In a Silent Way
Miles Davis · 1969
Birds of Fire
Mahavishnu Orchestra · 1973
Live-Evil
Live-Evil
Miles Davis · 1971

In February 1969 John McLaughlin had only just landed in the United States and knew nothing of the New York scene. Within the same month he was called into the In a Silent Way sessions and told to play like a man who had never touched a guitar. A year later, on Bitches Brew (1970), his name is the title of a track.

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1970 · Bitches Brew

Bitches Brew
Bitches Brew
Miles Davis · 1970

Brazilian percussionist Airto MoreiraAirto MoreiraAirto Moreiraアイアート・モレイラ joined Miles DavisMiles DavisMiles Davisマイルス・デイヴィス's electric band in 1970 and contributed to the Bitches BrewBitches BrewBitches BrewMiles Davis · 1970 sessions, pioneering the incorporation of Brazilian elements into jazz. Together with his wife Flora Purim, he became a central figure in the American jazz-fusion scene.

— Miles: The Autobiography, Miles Davis, 1989

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1985 · You're Under Arrest

You're Under Arrest
You're Under Arrest
Miles Davis · 1985
Human Nature
Human Nature
Michael Jackson · 1982

Miles DavisMiles DavisMiles Davisマイルス・デイヴィス covered Michael JacksonMichael JacksonMichael Jacksonマイケル・ジャクソン's 'Human Nature' on his 1985 album You're Under Arrest. During the session, his longtime drummer Al Foster refused to play a pop song, walked out of the studio, and never came back — ending their collaboration. Miles defended his choice: 'Why can't Human Nature be a standard?' The original melody began as a tune Toto's Steve PorcaroSteve PorcaroSteve Porcaroスティーヴ・ポーカロ wrote for his daughter after she came home crying from school.

— Miles Davis Covers Michael Jackson's 'Human Nature' — Open Culture

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1970 · Infinite Search

Deciphering the Message
Deciphering the Message
Makaya McCraven · 2021
In the Beginning
In the Beginning
Woody Shaw · 1965
Mode for Joe
Mode for Joe
Joe Henderson · 1966
Infinite Search
Infinite Search
Miroslav Vitous · 1970

For years the received ranking of Blue Note's tenors put Wayne Shorter on top. But drummer Joe Chambers, who was in the room, remembered it differently: 'Joe and Wayne were equal talents — Joe just had more soul.'

— Statement stmt-joe-chambers-on-joe-henderson

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1970 · Joe Farrell Quartet

Live-Evil
Live-Evil
Miles Davis · 1971
Bitches Brew
Bitches Brew
Miles Davis · 1970
In a Silent Way
In a Silent Way
Miles Davis · 1969
Joe Farrell Quartet
Joe Farrell Quartet
Joe Farrell Quartet · 1970

Just as Bitches Brew (1970) pushed Miles Davis's electric music to its peak, his own rhythm players Chick Corea and Dave Holland walked out — turning an off-hours trio into Circle, a free, near-atonal group, rather than chasing the fusion market.

— Statement stmt-dave-holland-on-chick-corea

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John McLaughlin on video

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