John Scofield (b. 1951) — Guitar, Electric Guitar. Led Still Warm, Quiet, A Go Go. Worked with Jack DeJohnette, Dave Holland, Miles Davis.
Funky and gritty. He prefers a distorted sound over a clean one, and the fusion of blues, jazz, and funk in his playing is unmistakable. He joined Miles Davis's electric band in the '80s and later became known for his collaborations with Medeski, Martin & Wood.
Singer-songwriter Yu SakaiSakai Yuさかいゆう became the first Japanese singer-songwriter to appear on NPR's Tiny Desk Concert (April 2025), performing with TBN Trio featuring Nate SmithNate Smithネイト・スミス (drums) and Ben WilliamsBen Williamsベン・ウィリアムズ (bass). It happened because Smith invited the NPR crew to their Shibuya show. Sakai has also recorded with John ScofieldJohn Scofieldジョン・スコフィールド, Terrace MartinTerrace Martinテラス・マーティン, and Nicholas PaytonNicholas Paytonニコラス・ペイトン across previous albums — a rare J-pop artist woven into both the LA and NYC jazz scenes.
August 14, 1993, Newport Jazz Festival. Full concert by John ScofieldJohn Scofieldジョン・スコフィールド. Official Music Vault recording. By this point John ScofieldJohn Scofieldジョン・スコフィールド had developed his own guitar vocabulary after his years with Miles DavisMiles Davisマイルス・デイヴィス (1982–85).
John Scofield joined Miles Davis's band in 1982 and stayed about three and a half years. His first studio appearance was on Star People (1983), followed by writing and guitar contributions to Decoy (1984) and You're Under Arrest (1985).
Released April 7, 1998 on Verve, A Go Go was John Scofield's first collaboration with Medeski, Martin & Wood. Recorded at Avatar Studios in NYC and produced by Lee Townsend, its ten Scofield originals fuse jazz with funk and groove.
When John Scofield joined Miles Davis's band in November 1982, it left two guitarists standing in the lineup. By Scofield's account, Miles liked putting two players of the same instrument together to make them compete — deliberately building the kind of redundancy most bandleaders take pains to avoid.
Miles Davis's 1984 album Decoy features guitarist John Scofield alongside bassist Darryl Jones. In 1993, Jones became the Rolling Stones' touring bassist — an unlikely bridge from Davis's fusion-era band to one of rock's most enduring institutions.
Don Alias was brought to Bitches Brew (1970) as a percussionist, but on "Miles Runs the Voodoo Down" he is the one at the drum kit — the New Orleans-flavored beat was his idea, and the leader told him to play it himself.
He was a brilliant strategist at getting the music out there, but still playing what he considered great, and important jazz music, because he loved that.
He was a great composer, and simplicity was his thing; he had the balls to write songs like 'So What' and the second 'Milestones' and 'Jean Pierre,' which was in our band's book when we played with Miles.
Assessing Miles Davis as a composer, in the context of covering one of his tunes.
We share decades of common references musically. The similarities and differences in our approaches make for a more interesting collaboration, I think.
On the making of Memories of Home, his duo album with bassist Dave Holland.
We also played together on Herbie's New Standards, that was a great recording which featured Michael Brecker, John Scofield, Dave Holland, myself and Don Alias.
Listing his work with percussionist Don Alias, including Herbie Hancock's The New Standard (1995).