The Real McCoy

The four years of the Coltrane Classic Quartet (1961–65) represent one of the most concentrated periods of creation in jazz history. ElvinElvin Jonesエルヴィン・ジョーンズ's polyrhythm and McCoyMcCoy Tynerマッコイ・タイナー's wide-voicing left hand gave Coltrane something to push against.

McCoy Tyner said of Joe Henderson, his front line on The Real McCoy (1967), that you could tell whose sound it was in one note. That same instantly identifiable tenor turns up in the credits of an R&B album in 1982, a long way from the Blue Note session.