Library — Saxophone

Kamasi Washington

2 albums as leader and 8 as sideman (2005–2025), each listed chronologically.

As Leader · 2

As Sideman · 8

Notes on these albums · 6

2018 · Heaven and Earth

The Epic
The Epic
Kamasi Washington · 2015
Heaven and Earth
Heaven and Earth
Kamasi Washington · 2018
Drunk
Drunk
Thundercat · 2017
Drones
Drones
Terrace Martin · 2021

In 2015, Kamasi Washington emerged as a new voice in jazz with his triple album The Epic — but that same year he was also arranging strings on To Pimp a Butterfly, a landmark hip-hop record. He'd already left a mark outside jazz before the jazz world took notice.

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2021 · Drones

Drones
Drones
Terrace Martin · 2021

The musicians on DronesDronesDronesTerrace Martin · 2021 (2021) form the core of post-2010s jazz across LA and Chicago. Where Brainfeeder-adjacent production instincts meet collective improvisation — this is one of the defining sites of where jazz moved next.

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2016 · Velvet Portraits

The Mugician
The Mugician
Keyon Harrold · 2017
Drunk
Drunk
Thundercat · 2017
Gray Area
Gray Area
Terrace Martin · 2015
Velvet Portraits
Velvet Portraits
Terrace Martin · 2016

Terrace Martin trained as a jazz saxophonist, but in 2015 he helped shape the sound of a landmark hip-hop album, To Pimp a Butterfly. Around the same time he was quietly releasing straight jazz records like Velvet Portraits and Gray Area under his own name, moving between the two worlds with the same hands.

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2017 · Drunk

Apocalypse
Apocalypse
Thundercat · 2013
Drunk
Drunk
Thundercat · 2017
It Is What It Is
It Is What It Is
Thundercat · 2020
Drones
Drones
Terrace Martin · 2021

The bass on To Pimp a Butterfly (2015) is Thundercat's. Before the jazz and soul world claimed him he had spent his teens and twenties in the crossover thrash band Suicidal Tendencies — a gig he still held around the time of his own Apocalypse (2013).

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2025 · The Eternal Tenure Of Sound: Damage Control

Habana
Habana
Roy Hargrove · 1997
Live-Evil
Live-Evil
Miles Davis · 1971
Hold On, I'm Coming
Hold On, I'm Coming
Art Blakey · 1966
The Eternal Tenure Of Sound: Damage Control
The Eternal Tenure Of Sound: Damage Control
Gary Bartz & Gary Bartz NTU Troop · 2025

Alto saxophonist Gary Bartz made his name on the 1971 electric fusion session Live-Evil and on 1966 hard bop dates. In 1997 he turned up somewhere unexpected: Roy Hargrove's Afro-Cuban band, cutting the Grammy-winning album Habana alongside Chucho Valdés while Hargrove was still in his twenties. Bartz was still releasing albums under his own name in 2025.

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Kamasi Washington on video

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