Library — Double Bass

Thundercat

3 albums as leader and 8 as sideman (2013–2021), each listed chronologically.

As Leader · 3

As Sideman · 8

Notes on these albums · 5

2015 · The Epic

The Epic
The Epic
Kamasi Washington · 2015

Kendrick Lamar's To Pimp a Butterfly (2015) was built on jazz musicians: Robert GlasperRobert GlasperRobert Glasperロバート・グラスパー, Terrace MartinTerrace MartinTerrace Martinテラス・マーティン, Kamasi WashingtonKamasi WashingtonKamasi Washingtonカマシ・ワシントン, and ThundercatThundercatThundercatサンダーキャット. Glasper was supposed to play on one track, but Kendrick kept queuing up songs — he ended up recording nine in a single sitting with no sheet music. The piano solo on "These Walls" was actually his warmup, secretly recorded by Terrace Martin.

— Robert Glasper on Playing Jazz Piano on To Pimp a Butterfly, Slate, 2015

sourced
Go to The Epic

2013 · Apocalypse and 1 more

Apocalypse
Apocalypse
Thundercat · 2013
Drunk
Drunk
Thundercat · 2017
It Is What It Is
It Is What It Is
Thundercat · 2020
Drones
Drones
Terrace Martin · 2021

The bass on To Pimp a Butterfly (2015) is Thundercat's. Before the jazz and soul world claimed him he had spent his teens and twenties in the crossover thrash band Suicidal Tendencies — a gig he still held around the time of his own Apocalypse (2013).

Go to Apocalypse

2017 · Drunk

The Epic
The Epic
Kamasi Washington · 2015
Heaven and Earth
Heaven and Earth
Kamasi Washington · 2018
Drunk
Drunk
Thundercat · 2017
Drones
Drones
Terrace Martin · 2021

In 2015, Kamasi Washington emerged as a new voice in jazz with his triple album The Epic — but that same year he was also arranging strings on To Pimp a Butterfly, a landmark hip-hop record. He'd already left a mark outside jazz before the jazz world took notice.

Go to Drunk

2015 · Gray Area and 1 more

The Mugician
The Mugician
Keyon Harrold · 2017
Drunk
Drunk
Thundercat · 2017
Gray Area
Gray Area
Terrace Martin · 2015
Velvet Portraits
Velvet Portraits
Terrace Martin · 2016

Terrace Martin trained as a jazz saxophonist, but in 2015 he helped shape the sound of a landmark hip-hop album, To Pimp a Butterfly. Around the same time he was quietly releasing straight jazz records like Velvet Portraits and Gray Area under his own name, moving between the two worlds with the same hands.

Go to Gray Area

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